% % sanctus % \version "2.8.5" \include "english.ly" #(set-global-staff-size 23) \header { title = "Sanctus" % subtitle = "SATB Arrangement" subsubtitle = "Version 1.0 - November 21, 2006" copyright = "Public Domain - Copying Permitted" composer = "Gabriel Faure" % arranger = \markup { \tiny "Public Domain" } % tagline = \markup { % \center-align { "Public Domain -- Copying Permitted" }} } \layout { % raggedright = ##t % indent = 0 % topmargin = 0 % bottommargin = 0 % headsep = 0 % footsep = 0 % betweensystemspace = 1\mm % betweensystempadding = #1 } global = { \key ef \major \time 3/4 } % SEGMENT A: everything up to letter A snA = \relative c'' { R2. | R2. | bf2\pp^\markup { \italic \bold \tiny "unis." } c4~ | c bf( af) | bf~bf8 r8 r4 | R2. | bf2 c4~ | c bf af | bf~bf8 r8 r4 | R2. | bf4 c df~ | df bf( af) | bf2~\< bf4~\! | bf4\> r2\! | bf4( c) df~ | df bf af | bf~bf8 r8 r4 | R2. | \mark \default } anA = \relative c'' { s2.*18 } tnA = \relative c' { R2. | R2. | R2. | R2. | bf2\pp^\markup { \italic \bold \tiny "unis." } c4~ | c bf( af) | bf~bf8 r8 r4 | R2. | bf2 c4~ | c bf af | bf~bf8 r8 r4 | R2. | bf4\< c d!~\! | d\> bf( af)\! | bf~bf8 r8 r4 | R2. | bf4( c) d!~ | d bf af } bnA = \relative c' { s2.*18 } llA = \lyricmode { San -- ctus, __ San -- ctus, __ San -- ctus __ Do -- mi -- nus, __ Do -- mi -- nus, De -- us, __ De -- us __ Sa -- ba -- oth, } blA = \lyricmode { San -- ctus, __ San -- ctus, __ San -- ctus __ Do -- mi -- nus, Do -- mi -- nus __ De -- us, __ De -- us __ Sa -- ba -- } % SEGMENT B: letter A plus 6 measures snB = \relative c'' { \override DynamicLineSpanner #'padding = #2.5 \once \override TextScript #'extra-offset = #'( 1 . 0 ) bf4\<(^\markup { \italic \bold \tiny "div." } c) d\! | f4.\> e8 d4\! | d2( c4) | d2.( | \once \override DynamicText #'extra-offset = #'( 2 . 2 ) d2.\pp | d2.) \override DynamicLineSpanner #'padding = #1.5 } anB = \relative c'' { bf4( c) bf | a4. g8 f4 | g2. | fs2.( | fs2. | fs2.) } tnB = \relative c' { bf4~bf8 r8 r4 | R2. | R2. | R2. | a2\mp b4~ | b a g } bnB = \relative c' { s2.*6 } llB = \lyricmode { San -- ctus Do -- mi -- nus De -- us, } blB = \lyricmode { oth, De -- us, __ De -- us } % SEGMENT C: beautiful "sabaoth" modulation snC = \relative c'' { R2. | R2. } anC = \relative c'' { s2. | s2. } tnC = \relative c' { a2~a8 a8 | bf2. } bnC = \relative c' { s2.*2 } llC = \lyricmode { } blC = \lyricmode { Sa -- ba -- oth. } % SEGMENT D: pleni snD = \relative c'' { bf4\mp bf ef | ef d c | bf2. | bf2 b4\rest \mark \default } anD = \relative c'' { bf4 bf c | c bf af | g2. | g2 s4 } tnD = \relative c' { R2.*4 } bnD = \relative c' { s2.*4 } llD = \lyricmode { Ple -- ni sunt coe -- li et ter -- ra } blD = \lyricmode { } % SEGMENT E: gloria gloria tua snE = \relative c'' { R2.*4 } anE = \relative c' { s2.*4 } tnE = \relative c' { bf4.\mf bf8 ef4 | ef d c | bf2. | bf2. } bnE = \relative c' { s2.*4 } llE = \lyricmode { } blE = \lyricmode { Glo -- ri -- a glo -- ri -- a tu -- a } % SEGMENT F: first hosanna snF = \relative c'' { bf4\f c df | f4.( ef8) df4 | df2( c4) | bf2 r4 } anF = \relative c' { f4 f f | bf2 f4 | af2. | af4( g) r } tnF = \relative c' { R2.*4 } bnF = \relative c' { s2.*4 } llF = \lyricmode { Ho -- san -- na in ex -- cel -- sis, } blF = \lyricmode { } % SEGMENT G: second hosanna snG = \relative c'' { bf4\< c d | ef( f) g | ef2( d4)\! \mark \default } anG = \relative c'' { g4 g bf | bf2 c4 | af2. } tnG = \relative c' { c4\f^\markup { \italic \bold \tiny "div." } bf\< af | g( bf) ef | bf2.\! } bnG = \relative c { e4 e f | g2 af4 | bf2. } llG = \lyricmode { Ho -- san -- na in ex -- cel -- } blG = \lyricmode { Ho -- san -- na in ex -- cel -- } % SEGMENT H: letter C snH = \relative c'' { ef2\ff r4 } anH = \relative c'' { g2 r4 } tnH = \relative c' { bf2\ff r4 } bnH = \relative c { ef2 r4 } llH = \lyricmode { sis. } blH = \lyricmode { sis. } % SEGMENT I: big hosanna snI = \relative c'' { R2.*4 | r4 r4 r8 ef\ff^\markup { \italic \bold \tiny "sopranos" } | ef2 ef4 | af,( bf) c | ef2\> ef4 | af,( bf) c\! | ef2.\p } anI = \relative c'' { s2.*10 } tnI = \relative c' { r2 r8 ef^\markup { \italic \bold \tiny "unis." } | ef2 ef4 | af,( bf) c | ef2 ef4 | af,( bf) c | ef2. | ef4~ ef8 r8 r4 | R2. | R2. | R2. } bnI = \relative c' { s2.*10 } llI = \lyricmode { Ho -- san -- na in ex -- cel -- sis, in ex -- cel -- } blI = \lyricmode { Ho -- san -- na in ex -- cel -- sis, in ex -- cel -- sis. } % SEGMENT J: last "sis" snJ = \relative c'' { ef2.~\pp \mark \default | ef2. | R2. } anJ = \relative c' { s2.*3 } tnJ = \relative c' { g2. | g2. | R2. } bnJ = \relative c { \once \override TextScript #'extra-offset = #'( -3 . 0 ) ef2.\pp^\markup { \italic \bold \tiny "div." } | ef2. | s2. } llJ = \lyricmode { sis. } blJ = \lyricmode { San -- ctus. } % SEGMENT K: second to last sanctus snK = \relative c'' { \once \override TextScript #'extra-offset = #'( 1 . 0 ) g2.~^\markup { \italic \bold \tiny "div." } | g2. | g2.~ | g2. | R2. } anK = \relative c' { ef2.~ | ef2. | ef2.~ | ef2. | s2. } tnK = \relative c' { R2. | bf2. | bf2.~ | bf2. | R2. } bnK = \relative c { s2. | ef2. | ef2.~ | ef2. | s2. } llK = \lyricmode { San -- ctus. } blK = \lyricmode { San -- ctus. } % SEGMENT L: ending snL = \relative c' { \once \override TextScript #'extra-offset = #'( 1 . 0 ) bf2.^\markup { \italic \bold \tiny "unis." } | bf2.\fermata \bar "|." } anL = \relative c' { s2.*2 } tnL = \relative c' { g2. | g2.\fermata \bar "|." } bnL = \relative c { ef2. | ef2. } llL = \lyricmode { San -- ctus. } blL = \lyricmode { San -- ctus. } %%%%%%%%%%%%%%%%%%% % SCORE STRUCTURE % %%%%%%%%%%%%%%%%%%% << \set Score.markFormatter = #format-mark-letters \set Score.markFormatter = #format-mark-box-letters \override Score.BarNumber #'padding = #2 \new ChoirStaff << \new Staff = "women" { \tempo 4=64 \set Staff.instrument = \markup { \column { "Soprano " \line { "Alto" } } } \set Staff.instr = "SA " \global << \new Voice = "soprano" { \snA % SEGMENT A \voiceOne % voices split \snB % SEGMENT B \oneVoice % voices join \snC % SEGMENT C \voiceOne % voices split \snD % SEGMENT D \oneVoice % join for rests \snE % SEGMENT E \voiceOne \snF % SEGMENT F \snG % SEGMENT G \snH % SEGMENT H \oneVoice % one voice, but it's the sopranos \snI % SEGMENT I \snJ % SEGMENT J \voiceOne % voices split \snK % SEGMENT K \oneVoice % join for end \snL % SEGMENT L } \new Voice = "alto" { \anA % SEGMENT A \voiceTwo % voices split \anB % SEGMENT B \oneVoice \anC % SEGMENT C \voiceTwo % voices split \anD % SEGMENT D \oneVoice % join for rests \snE % SEGMENT E \voiceTwo \anF % SEGMENT F \anG % SEGMENT G \anH % SEGMENT H \oneVoice % one voice, but it's the sopranos \anI % SEGMENT I \anJ % SEGMENT J \voiceTwo % voices split \anK % SEGMENT K \oneVoice % join for end \anL % SEGMENT L } >> } % Middle line context for lyrics \new Lyrics = "toplyrics" { s1 } \lyricsto "soprano" \context Lyrics = toplyrics { \llA \llB \llC \llD \llE \llF \llG \llH \llI \llJ \llK \llL } \new Staff = "men" { \set Staff.instrument = \markup { \column { "Tenor " \line { "Bass" } } } \set Staff.instr = "TB " \clef bass \global << \context Voice = tenor { \tnA % SEGMENT A \tnB % SEGMENT B \tnC % SEGMENT C \tnD % SEGMENT D \tnE % SEGMENT E \tnF % SEGMENT F \voiceOne % voices split \tnG % SEGMENT G \tnH % SEGMENT H \oneVoice % voices join \tnI % SEGMENT I \voiceOne % voices split \tnJ % SEGMENT J \tnK % SEGMENT K \tnL % SEGMENT L } \context Voice = bass { \bnA % SEGMENT A \bnB % SEGMENT B \bnC % SEGMENT C \bnD % SEGMENT D \bnE % SEGMENT E \bnF % SEGMENT F \voiceTwo % voices split \bnG % SEGMENT G \bnH % SEGMENT H \oneVoice % voices join \bnI % SEGMENT I \voiceTwo % voices split \bnJ % SEGMENT J \bnK % SEGMENT K \bnL % SEGMENT L } >> } % Bottom line context for lyrics \new Lyrics = "botlyrics" { s1 } \lyricsto "tenor" \context Lyrics = botlyrics { \blA \blB \blC \blD \blE \blF \blG \blH \blI \blJ \blK \blL } >> >>